Keep your channel faders low and the Master at 0db!

Ableton Live - dB Set Up

Today I would like to talk about the biggest epiphany I had when it comes to recording entirely inside a computer. If you take one thing away with you by reading this blog this should be it. In 1996, Steinberg released Cubase VST which stands for Virtual Studio Technology. For the first time, someone with a limited budget and a PC could record audio to the hard drive and have access to a virtual effects rack and software synthesizers. People today call this mixing “in the box”. This had profoundTascam Portastudio implications, so much so I would compare it to the release of the Tascam 4-Track Portastudio. Recently, laptops have become so powerful that they themselves can be full virtual studios anywhere you are.

Almost weekly I am asked for mixing advice. Usually after a few probing questions I discover that 90% of the people unhappy with their sound are making the same mistake. They are completely overdriving their internal summing bus! Take all your song’s individual channel faders and bring them at least -12db and keep the Master fader at 0dB at all times.

Look at your DAW’s mixer. Now imagine the volume of your individual channel fader’s adding up from left to right heading to your Master. If you keep your channel faders close to zero surely your Master will go over odB and clip. As we all know any clipping in the digital realm is very bad.

Why not keep your channel faders all hot and turn the master down? Because you will still be overdriving cheap plug-ins. Well written plug-ins can handle a hot signal but some of the coolest freeware and to be honest some big name effects clip internally when even a warm signal is shot at them. The worst part about this happening is there is no visual warning. All you know is your mixes just sound like crap.

If you ran a test overdriving one plug-in and pushing a channel fader too hot you may not notice anything. But keep your levels low in a complicated song with over 10 channels and you will definitely notice a major improvement.

If this is news to you don’t stress about it. It took me a while to wrap my head around it. To give credit where it’s due I first came across this advice when reading an article in EQ magazine by Craig Anderton. After I read it I emailed Digidesign MBoxhim to clarify some questions I had. He was graceful enough to answer me and I then did some searches online and found this was huge discussion on several high end pro-audio forums. Forum members at Tapeop, Gearslutz and the Digidesign sites were rambling on about audio levels and mixing ITB. Most of the threads were over 50 pages. Everyone was learning the same lesson.

How did I choose -12db as a start point? First, each DAW has a different summing engine so your own number may differ. I use Ableton Live and originally I was starting projects with channel faders at -6db. However, I constantly had to adjust them all down as I built the songs up. I settled at -10db but recently I noticed something very interesting. In Live 7 they introduced Drum Racks and a Slice to Midi feature. A group set of faders becomes automatically available to you for the individual drum sounds of audio slices the new features create. Guess what? The channel faders are automatically set to -12db! It seems Ableton headquarters has also caught on how to make their DAW sound better. Interesting no?

In Ableton Live if you hover over the Track Volume slider you can see the exact dB it’s set at by looking at the Status Bar located bottom left of the screen. If you click on a channel faders small left facing triangle you can then use the up and down arrows to nudge the volume in small increments.

Apple AU Limiter

As I mentioned in this post something to keep in mind is when you add EQ to a sound you add dBs. If you add +6db of high end EQ to a vocal you may want to adjust the channel fader. Lastly, I add a limiter to the Master and set it at -0.1 to catch anything that manages to spike a little too loud. Anyone with a Mac has Apple’s free AU limiter built-in.

I think you will really enjoy mixing quiet a lot more once you try this method.

photo credit: oooh.oooh

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Oliver Chesler

"Hello my name is Oliver and I'm going to tell you a story." I have been recording music since 1989 under the name The Horrorist. I have released over 60 singles and 4 full length albums. To hear my music please go to:

66 thoughts on “Keep your channel faders low and the Master at 0db!”

      1. Hahahah is it fuck called compression and mastering, it’s called mixing and mastering, you don’t just compress everything, you add other effects as well as compression like EQ’s, Delays, & Reverbs

    1. As you keep each channels levels low, and the master channel’s volume at 0, you should use multiband dynamics, a limiter and a compressor in your master channel, and adjust the volume from there.i

  1. It makes no difference if you put channel faders down or master fader down. It’s all floating point these days. In analog world and early digital it made difference but not anymore.

    Just make sure you don’t clip your insert/bus plugins. Well, some plugins actually sound better when “clipped”.

    As channel fader does not affect on how loud the sound goes to plugins i prefer to use utility plugin in each channel. I have -6db at start of each insert chain. Then by adjusting that i can adjust how hot i want the sound go to the plugin. Also i prefer to keep my faders at unity gain.

    I have my master at 0db so that RMS is around 12db without compression. If you can get good sound at -12RMS without master plugins it will sound fantastic after mastering.

  2. “Well, some plugins actually sound better when “clipped”.”

    Yes crap plugins sound even crappier!
    Plugins DO have optimum input levels.

    Stop spreading misinformation!

  3. As ive been getting deeper with daw, i am learningvthis to be true. Volume is perceptive to the human ear in regards to all sound signals, and ive been even bringing my kicks down below -6 and compressing the master. More room to play with dynsmics, versus trying to bump lost dynsmics after squashing each track.

  4. Yep. I have to agree with this article, my mixes have been sounding “shite” for quite some time and I couldn’t figure out why. Then it dawned on me that when I took my mixes into a session at a high-end studio – the engineer freaked at my levels and spent some time dropping all the faders etc… I decided to try running my whole mix softer the other day – and boom! Everything sounds 10x better. More clarity, space, bunch, depth – you name it. Turn those levels down before the master.

  5. “Anyone with a Mac has Apple’s free AU limiter built-in.”

    So, are you referring to the actual plugin, or just turning the master fader down to -0.1?

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