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	<title>Comments on: Feedback as a sound source.</title>
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	<link>http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/</link>
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		<title>By: Oliver Chesler</title>
		<link>http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/comment-page-1/#comment-60599</link>
		<dc:creator>Oliver Chesler</dc:creator>
		<pubDate>Thu, 08 Mar 2012 14:30:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/#comment-60599</guid>
		<description>True analog feedback! Your comment got me thinking that in this crowded world I wonder how many kids miss out on screaming into a canyon or off the side of a mountain an hearing their voice come back. These days people just call the cops!</description>
		<content:encoded><![CDATA[<p>True analog feedback! Your comment got me thinking that in this crowded world I wonder how many kids miss out on screaming into a canyon or off the side of a mountain an hearing their voice come back. These days people just call the cops!</p>
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		<title>By: Obeast</title>
		<link>http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/comment-page-1/#comment-60039</link>
		<dc:creator>Obeast</dc:creator>
		<pubDate>Thu, 08 Mar 2012 04:53:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/#comment-60039</guid>
		<description>When I was a young goof-off in Jr. College my friends and I used to jam with large amounts of amplification and very little technique or planning... one of the best accidents occurred when we placed a large brass taifor (Arabic serving plate, about 3&#039; across) between a mic and a bass amp. Immediately the taifor began to resonate, and moving the mic closer and further away varied the overtone. The musical tone generated was very brassy, resembling that of a trombone or tuba. It was a lot more engaging as a sound than simple mic feedback (of which we used plenty along with analog delay). Now hit the thrift stores in the Arab quarter of your town for an old taifor!</description>
		<content:encoded><![CDATA[<p>When I was a young goof-off in Jr. College my friends and I used to jam with large amounts of amplification and very little technique or planning&#8230; one of the best accidents occurred when we placed a large brass taifor (Arabic serving plate, about 3&#8242; across) between a mic and a bass amp. Immediately the taifor began to resonate, and moving the mic closer and further away varied the overtone. The musical tone generated was very brassy, resembling that of a trombone or tuba. It was a lot more engaging as a sound than simple mic feedback (of which we used plenty along with analog delay). Now hit the thrift stores in the Arab quarter of your town for an old taifor!</p>
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		<title>By: Oliver Chesler</title>
		<link>http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/comment-page-1/#comment-28475</link>
		<dc:creator>Oliver Chesler</dc:creator>
		<pubDate>Tue, 29 Mar 2011 09:25:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/#comment-28475</guid>
		<description>NIce one thanks!</description>
		<content:encoded><![CDATA[<p>NIce one thanks!</p>
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		<title>By: AfroDjMac</title>
		<link>http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/comment-page-1/#comment-28452</link>
		<dc:creator>AfroDjMac</dc:creator>
		<pubDate>Tue, 29 Mar 2011 02:57:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/#comment-28452</guid>
		<description>Hey Oliver,
I made an Ableton Live synth using feedback from the internal mic on my macbook.  I think you might like how alive it sounds... Thanks for all your work!

http://afrodjmac.com/2011/03/28/free-ableton-live-synth-afrodjmac-laptop-feedback/</description>
		<content:encoded><![CDATA[<p>Hey Oliver,<br />
I made an Ableton Live synth using feedback from the internal mic on my macbook.  I think you might like how alive it sounds&#8230; Thanks for all your work!</p>
<p><a href="http://afrodjmac.com/2011/03/28/free-ableton-live-synth-afrodjmac-laptop-feedback/" rel="nofollow">http://afrodjmac.com/2011/03/28/free-ableton-live-synth-afrodjmac-laptop-feedback/</a></p>
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		<title>By: peter stone</title>
		<link>http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/comment-page-1/#comment-5518</link>
		<dc:creator>peter stone</dc:creator>
		<pubDate>Tue, 29 Sep 2009 14:40:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.wiretotheear.com/2007/10/18/feedback-as-a-sound-source/#comment-5518</guid>
		<description>hi
i&#039;m great fan of &quot;larsen effect&quot;
when i was playing guitar in my band i was always playing with cause of all Boss pedal dd3 distort etc..loud volume
live &amp; we used it in studio too .
You can heard it last track on myspace.com/peterstone33 &quot;blue haired girl&quot;in the middle on the track for re-play me on the guitar &amp; my bassist modifying effect guitar and this larsen that would be here few second stay until the end of the track ...
résonance....
congratulation for ur great blog &amp; xcuse my english 
cheers</description>
		<content:encoded><![CDATA[<p>hi<br />
i&#8217;m great fan of &#8220;larsen effect&#8221;<br />
when i was playing guitar in my band i was always playing with cause of all Boss pedal dd3 distort etc..loud volume<br />
live &amp; we used it in studio too .<br />
You can heard it last track on myspace.com/peterstone33 &#8220;blue haired girl&#8221;in the middle on the track for re-play me on the guitar &amp; my bassist modifying effect guitar and this larsen that would be here few second stay until the end of the track &#8230;<br />
résonance&#8230;.<br />
congratulation for ur great blog &amp; xcuse my english<br />
cheers</p>
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