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	<title>Comments on: What if music should be free?</title>
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		<title>By: Kent Sandvik</title>
		<link>http://www.wiretotheear.com/2007/10/13/what-if-music-should-be-free/comment-page-1/#comment-26</link>
		<dc:creator>Kent Sandvik</dc:creator>
		<pubDate>Sun, 14 Oct 2007 03:15:35 +0000</pubDate>
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		<description>Netlabels are alredy doing this big time. I&#039;m about to start one, in addition to my commercial label, as it feels good to give something for free. I need the other one around, as there are still channels that require a commercial label (Beatport, promo services and so on).</description>
		<content:encoded><![CDATA[<p>Netlabels are alredy doing this big time. I&#8217;m about to start one, in addition to my commercial label, as it feels good to give something for free. I need the other one around, as there are still channels that require a commercial label (Beatport, promo services and so on).</p>
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		<title>By: Pete</title>
		<link>http://www.wiretotheear.com/2007/10/13/what-if-music-should-be-free/comment-page-1/#comment-25</link>
		<dc:creator>Pete</dc:creator>
		<pubDate>Sat, 13 Oct 2007 20:23:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.wiretotheear.com/2007/10/13/what-if-music-should-be-free/#comment-25</guid>
		<description>I think it&#039;s a great time to be a hobbyist musician and a terrible time to be a professional one. Technology allows new bands to get more exposure faster than ever, which is great. You don&#039;t need to be &quot;found&quot; by a scout anymore.

However, the real challenge is figuring out how to make enough money off of music to keep doing it. I think this will happen in two ways:

1) Big companies will not die. Hollywood films, hit TV shows, big radio, and club DJs all _require_ pristinely produced, easily recognizable music, and that can only really come from a professional industry.

2) A much bigger piece of the music pie will go to regional bands, following the idea of &quot;the long tail.&quot; Lower production, promotion and distribution costs will allow small bands to reach enough t-shirt buying, show-attending fans to stay afloat. If Madonna and a local band both pulled the Radiohead trick, I&#039;d pay 5x more for the local favorite.

Both of these, however, assume that normal, moderate-quality music ends up being free for personal use. I think this is a fact of life for all intents and purposes... the cat simply won&#039;t go back into the bag.</description>
		<content:encoded><![CDATA[<p>I think it&#8217;s a great time to be a hobbyist musician and a terrible time to be a professional one. Technology allows new bands to get more exposure faster than ever, which is great. You don&#8217;t need to be &#8220;found&#8221; by a scout anymore.</p>
<p>However, the real challenge is figuring out how to make enough money off of music to keep doing it. I think this will happen in two ways:</p>
<p>1) Big companies will not die. Hollywood films, hit TV shows, big radio, and club DJs all _require_ pristinely produced, easily recognizable music, and that can only really come from a professional industry.</p>
<p>2) A much bigger piece of the music pie will go to regional bands, following the idea of &#8220;the long tail.&#8221; Lower production, promotion and distribution costs will allow small bands to reach enough t-shirt buying, show-attending fans to stay afloat. If Madonna and a local band both pulled the Radiohead trick, I&#8217;d pay 5x more for the local favorite.</p>
<p>Both of these, however, assume that normal, moderate-quality music ends up being free for personal use. I think this is a fact of life for all intents and purposes&#8230; the cat simply won&#8217;t go back into the bag.</p>
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