A Little Cheer – The Horrorist

A Little Cheer

I am working on my new album so I haven’t had much original music to play for you. Therefore, I decided to knock out a quick Merry Xmas song for you! Just one take using a Korg KR-55, Roland SH2 and Shure SM58. Enjoy!

“Christmas time is here.
It’s time for a little cheer.

All my friends are drug addicts.
All out of luck.
They wont make it through next year.
And no one really cares.

Brooklyn is a toilet.
Your’e swimming in.
No gifts for you this year.
Santa knows where you’ve been.

Christmas time is here.
It’s time for a little cheer.

New York City snow.
Snowing in your nose.
No brain left.
Dancing the night away.

This year was bad.
Next year will be worse
You’ve got nothing left.
You spoiled little loser.

Christmas time is here.
It’s time for a little cheer.

Christmas Eve you’re out.
at the same old boring club.
You’re ugly and your stupid
And everyone hates your guts.

Christmas day the dealers.
won’t come to your house.
Why don’t you just kill yourself?
Why don’t you just die?

Jingle Bells Jingle Bells Jingle all the way.
I hate you. You hate me. I hate you. You hate me.”

For more info: thehorrorist.com

VOMITO NEGRO | THE HORRORIST | NERVOUS GENDER | FULL SHOW REVIEW

The Horrorist Live in NYC 2014!

The Horrorist Live in Brooklyn 2014 with Jay Serken!

Vomito Negro Live in Brooklyn, NYC 2014!

Nervous Gender Live Brooklyn NYC 2014!

Love Pig w-FBI Warning Live Brooklyn NYC 2014!

Last Friday night I threw and event in Brooklyn at the Cameo Gallery. I (The Horrorist) performed and I also booked the Belgian EBM band Vomito Negro, pioneering LA Synthpunk band Nervous Gender and local band Love Pig. I also had DJs Andi, Blackwidow and Reade Truth. Lastly, I had a merchandise and vinyl collectable’s table set up and run by Athan Maroulis. Athan was in the bands Executive Slacks, Spahn Ranch and currently Nior. He also worked at Metropolis Records and has the best record booth at the Brooklyn Record Flea each year so he knew what to bring!

While I perform live and DJ myself all the time this is only the 4th event I have ever done myself. The first two were in the early 2000s. One at CBGBs which got a lot of press for being one of the first techno parties at the legendary spot. The other was at a venue called Club Fun in Chinatown. The event at Fun was amazing because all 4 walls were full video screens. The third event was just this summer in Berlin. It was an EBM DJ event called Blitzlicht. The event last week was the biggest and most ambitious I’ve done.

I wanted a small interesting venue with a good stage in Brooklyn. I live in Brooklyn now and it’s more interesting these days as far as nightlife than Manhattan. Cameo Gallery was perfect and Jify the owner was easy to work with. The size, stage, sound and backstage all met my needs. They are used to hosting many bands in a night. They had a great sound guy Brendan who helped us set up Vomito’s electronic drum kit, find Euro power adapters (last minute!) and batteries for my cordless mic. They also have a small restaurant attached to the venue and since it was raining it was easy for the bands to grab a bite without getting wet and disappearing. The cherry on top is that Cameo currently has a wonderful art installation on it’s ceiling. It’s a thousand white “spikes” hanging from above the stage and over the crowd. When they light it up either with a moving wave pattern or solid color it’s really over the top.

I’ve known DJ Blackwidow since the 90s. When I met her she was dating a friend of mine Eddie who worked for TVT Records. TVT distributed a techno label I did a few releases for (Mokum) and they also had recently purchased Wax Trax. Blackwidow threw her own events in Brooklyn and when I had a music studio on N. 4th & Berry she did a small goth/EBM event at Teddy’s Bar & Grill on the same block. At the time she asked me if I would DJ but back then I was purely just making music. Year’s later I performed a small show for her in Philadelphia. A friend who throws events here brought her up in conversation as someone to spin for this and it seemed perfect to give back a gig to her. She’s been to Wave Gotik Treffen more than once and dresses the part (let’s just say she looks goth!). I knew she would set the stage for the night esthetically. Incredibly she brought a purple laser with her and set it up! She played two great sets of classic EBM.

Bossa Nova Civic Club is a tiny bar and dancefloor in Bushwick, Brooklyn. It probably is the single reason people even started going to Bushwick for fun and making the area “cool”. It’s a mix of dealers, hipsters and good music. It has an 80s alphabet city bar vibe to it. One night I was there and a guy named Rogelio Ramos was performing live. There was only a few people in the club. He set up right on the dancefloor. A few synths and drum machines right directly on the on the floor. With a strobe light, microphone he sat on his knees and belted out a weird and amazing set. It was kinda like Soft Cell but not. I had to meet him and after a quick chat I discovered he called his music Love Pig. He had another band FBI Warning and with that band member they took the stage at Cameo. They had a Roland Juno-60, Roland SH-101 and MFB Tanzbar drum computer. Who brings such amazing equipment to a live show? Rogelio’s head was wrapped like a terrorist and FBI Warning played and amazing set of melodies and drum sequences. Rogelio belted out some hyper sexual lyrics and swayed back and forth in the same vein. They were amazing and I was so glad to put them in front of a packed crowd.

There is a movie from 1979 called Breaking Away. It’s about a young man in a small mid-west town so obsessed Italian bicycle racing that he speaks and pretends to be Italian. DJ Andi is like that but replace Italian bicycle racing with Belgian New Beat. She knows every record, every producer and practices DJing all day long. Not only is she obsessed with the genre and loves anything Belgian but inside this tiny genre she chooses specifically the New Beat with Egyptian melodies to go on and on about. Therefore, to know her you know the term “Begyptian”. This is all coming from a person who is so young she was listening to Hanson when the New Beat scene was alive in the 80s. She performed two meticulously perfect sets.

It was my turn. I won’t review myself but I will tell you I had so much fun on stage. I’ve made a lot of new friends in NY since I performed last here so it was great to let them see what I actually do. My current show is set up with a Roland TR-8 and Arturia Minibrute controlled by long time friend (and fellow Depeche 101 kid) Jay Serken. I control Ableton and of course vocal duties. The highlight of the show was when Matt Moran (Satronica) came on stage and sang Metal Man with me. I use a 500W light as a “prop” along with video in sync with the sequences. I’ve been working on a new album for a long time now. I feel like I’ve done 2-3 new albums already and have thrown them away. I want the new album to be very “EBM” but as an American it’s not an easy task so lots of finished songs are going into the garbage bin. I was pleased to here cheers after I did a live version of DAF’s Der Mussolini. In fact the main reason for perform it was to test the sounds in the track!

Speaking of EBM let’s talk about the band who performed who helped create the genre! Vomito Negro took the stage around midnight. They had never performed in NYC before. Gin Devo on vocals. Sven Kadanza on electronic drums. I whole heartedly believe we are on the cusp of a lot of new genre specific music that is as good or better than the 80s stuff it tries to be. Vomito Negro has already started that trend. Earlier this year I was listening to a DJ set on Mixcloud and a song played. It sounded familiar yet new. I had to know what it was. After some research I discovered it was a new song from Vomito Negro called Obsession. I couldn’t believe it. Soon I found another new track by Vomito called Enemy of the State. And there it was: A new EBM song as good as or better than any old one. It’s been a long time waiting for something like that. There show was dark. Gin belted out track after track while Sven stood aggressively pounding the kit. They rarely looked at each other. True EBM in NYC.

Let’s re-write history. We need to change the record books. Nervous Gender should be known as large a pioneering band such as Kraftwerk or Throbbing Gristle. They were making and performing with synthesizers synthpunk music starting in 1978! Not only were they first they were wicked. Like most new music I find I found them on Youtube. I was doing my usual playing and clicking and a song came on called Cardinal Newman. Since that day I must have played that song a thousand times. They never once performed live outside of California… until last Friday. This is a true punk band yet they all love all the same pure electronic music as I do. In the hotel they were playing DAF and using Moog iPad synth apps. The band had a member die and one member Michael had a stroke and has to sit on stage during the performance. Yet being around for a while for this band didn’t mean they needed special treatment. In fact their kind demeanors hid that once they got on stage they were there to blow everyone away (and they did). Edward Stapleton’s vocals are truly punk. He’s Irish and was raised in a strict religious school full with god and beatings and oh boy can you hear it. Joe Zinnato on synth and vocals backs up Edwards screams and at one point switched places with Edward as lead singer. Tammy Fraser stood on synth actually reading musical notes on paper! Michael who I afore mentioned sat at a small table controlling the computer. At the soundcheck I joked to a friend that he looked like he was going to do all our accounting. I ate my words because on stage the accountant look turned to full on super villain. Hunched over the table Michael sat with one eye partially closed, a light coming up from below surrounding my three other punk maniacs screaming. Everyone at Cameo was seriously blown away.

To close out the night Reade Truth DJed. Having Reade DJ and end the show brought things full circle for me. Around 1987 my parents got divorced and my mother got a new boyfriend Doug. Every Friday Doug would give me $100 so my brother and I could go record shopping. I never thought about it until recently but now I realize it was to get us out of the house so they could get it on! I guess they did get it on quite a bit because by the time I stopped collecting records around 1992 I had over 5,000. A good portion of those records I bought at Vinylmania, Record Runner, Discorama, St. Mark’s Sounds, Tower and Groove. Reade worked at Groove and recommended a lot of what I bought. His own vinyl collection is around 10,000. He still plays music from back then that I have to run up to the DJ booth to ask what it was. In fact even on Friday I did just that. No one else could have had that last slot of the night.

I will say it was a lot of work. Everyone including myself, Cameo, the bands and hotel gave a discount and worked extra hard to make the event free. The love of music. To see the full set of photos including some press about the show: click here

“Chesler performed as The Horrorist during the December 5th show, delivering a blistering set of pounding, aggro industrial.” – The Brad Lebeau Company Inc

For more info: facebook.com/events/640798396029276

Bad Memory (The Horrorist remix) – VOTIIV

Bad Memory - VOTIIV

A couple of summers ago I performed in Sweden at the Klubb Kalabalik Festival. At that festival I saw the band Kontravoid perform and met the man behind the music Cam Findlay. At one point Cam was also a member of the band Crystal Castles. Both bands are incredible so when Cam asked me to remix his new project VOTIIV I didn’t hesitate in saying YES! For VOTIIV Cam has teamed up with Kat Duma on vocals. I selected the song Bad Memory to remix.

My method of remixing music is a little different than the way most producers go about things. I like to start from scratch using my own sounds and that’s what I did here. I replaced the drums with an old Korg KR-55 drum machine. To make them pop I layered the kick and snare with some Vengeance samples. For the main arpeggiating synth I used an Arturia Microbrute. The Microbrute, it’s brother and the Analogue Solutions synths are probably the only new synths you can buy that sounds truly vintage. There are two synth pad sounds both coming from a Roland JV-2080. Additional sounds come from a HISS and Roar sample pack. Additional processing came from my API Lunchbox and Eurorack Modular. I can’t wait to hear this in a club. By the way the track is set to FREE download. Enjoy!

“He comes to me in dreams. He tells me how I feel.” – VOTIIV

For more info: votiiv.com

Interview with Reade Truth

Reade Truth

As part of the build up to the big event I am throwing and performing at there will be a series of interviews with all the Live Acts and DJs. Here is one with Reade Truth. I have known him since the late 80s. Hear Reade spin a special set on December 5 at Cameo (93 N 6th St, Brooklyn, NY 11211) along with DJ Blackwidow, DJ Andi and live performances by Vomito Negro, The Horrorist, Nervous Gender and Love Pig! You don’t want to miss this! Enjoy the interview:

You told me you had about 12,000 records and recently paired it down to the best 7,000. Is your catalog on Discogs? In your home what is your method of cataloging and finding releases. For example alphabetically or by genre?

yes 99% of my collection is documented on discogs. i am one of the original catalogue freaks, back in the day i had a handwritten notebook, keeping track of every label, trying to find out what R&S records were missing etc. those notes became the sonic groove database, which was the source, pre-discogs. lotta heads tell me they swear by my catalog system, which is based on my personal beliefs, its hard to define.. but, separate 70s, 80s from 90s and up. go chronologically in order of importance by city / label but make exceptions for key artists, keep them with their cities…. techno shelves start with chicago, than detroit and new york. there is like 5 rows for berlin. uk, those peeps were always mental. so, they have their own shelf, lol.

i paired down because its unlikely that i will be able to play or listen to everything before i die.sounds nihilistic i know. but actually its very realist. i am honing in on the records i really want to identify with permanently.

You also make music. Tell us about it.

the music i make. what is it. nobody can say. thats cuz i dont make music, i make art. i dont care about trends or styles or promotion or anything. its always been personal and mostly to document my life experiences, sometimes maybe thats obvious…. and lately my earlier releases are getting a lot of hype. anyway, i am very happy that i dont sound like anyone else. its electronic, its techno its house, yes, but its dark, unsettling, abnormal. great.. i think in reality its industrial. thats what i have always identified with. identifying pain and synthetically trying to explain it. sonic groove, n-syde, planet e put out a lot of classic RT sounds.

You’re a life long New Yorker. A group of young cool record executive types are coming from Berlin to NYC for the first time. They tell you they want to get in trouble. They arrive Friday afternoon and leave Monday morning. What’s the schedule?

guys from berlin coming here? either get a time machine and go back to 1991 – robots, building, pyramid, limelight, world, etc….. or just stay close to me, the horrorist or both of us… haha

Would you rather spin at a large festival or a small club?

i prefer festivals. i want to play longer sets, in the middle of the morning, for people who are totally losing their shit, outdoors. YES, no contest, fuck 4 am, 6 am whatever am it is, LETS KEEP GOING!!!!

You worked at the legendary Groove records. We all know what an amazing place that was and the history. Tell us something else about your time there. Maybe about the day someone tried to steal a record? What was the protocol? Give us something we don’t already know.

i managed for bones and adam x at SG for 5 or 6 years. was an interesting decision. straight outta college i first did promo for Front Line Assembly, than I ran NovaMute promo, than eventually for Antler-Subway. but i got sick of that, and wanted to b not isolated to one label but filter everything thru to the people and it was a great experience. the modern era simply doesnt compare to a record store experience back then. when someone tried to steal a record, which was often, we were all so passionate we often went nuts. adam has multiple stories lol. once, abe duques wife suzanne broektsch alerted me and jon turi to a theft, we came upstairs and forced him outside. i bodyslammed the kid on the sidewalk. everyone was shocked. me too! for love of music i guess! bring the record stores back, downloading mp3s is BORING.

The big event December 5: facebook.com/events/640798396029276

Stepper Acid

Transitor Sounds Stepper Acids

There has been a Eurorack module I’ve been watching develop on the Muffwiggler forums (link) that I have been watching. It’s called Stepper Acid from Transistor Sound Labs and it has just recently become available. It’s a sequencer somewhat influenced by the Roland TB-303. However the Stepper Acid has quite a lot more to offer. Watch the video above to see all it’s features. I love that it has a built in quantizer to pitch the sequenced lines. It looks amazingly intuitive with almost no menu diving and it’s beautifully designed!

“Stepper Acid is a 16-step Eurorack sequencer module designed with live performance in mind. Designed by and for musicians, Stepper Acid was born out of our need for a modern step-sequencer. Dual microcontroller design ensures tight timing: one runs the sequencer, the other the front panel interface.” – transistorsoundslabs.com

For more info: transistorsoundslabs.com/stepper-acid

VOMITO NEGRO | THE HORRORIST | NERVOUS GENDER | NYC DEC 5

Vomito_Negro-The_Horrorist-Nervous_Gender-Print_Front

Vomito_Negro-The_Horrorist-Nervous_Gender-Print_Back


I am pleased to announce a very special event! For the first time ever in NYC: Belgian band Vomito Negro will take the stage and perform live! The pioneers in EBM (Electronic Body Music) are preparing something incredible for you. Also for the first time ever in NYC the notorious early 80’s LA synthpunk band Nervous Gender will play live! Nervous Gender are one of the most unique genre busting acts out there. I (The Horrorist) will also be performing LIVE a very, VERY special show! This is more than just the seriously crazy live shows though. DJ Andi, Reade Truth and DJ Blackwidow (from Philadelphia) will turn the fantastic Cameo Gallery venue into one serious night in NYC. There will be a rare vinyl & collectables market and this event is FREE! Feel the heat!

“Who’s your master? Who’s your slave?” – Vomito Negro

For more info: facebook.com/events/640798396029276

Radical G on Roland AIRA Gear

Radical G and Roland AIRA1

Radical G and Roland AIRA2

Radical G is one of the absolute best EBM meets techno producers. He’s also a good friend of mine. I was excited to see Roland visited his studio to see how he liked the AIRA line. He agrees with me that Roland has produced some right hardware. Take a quick look at Glenn at work!

“Dark electronic madness by Glenn Keteleer with pounding Rave sounds and techno hooks. No excuses regarding styles, Gloomy atmosphere’s ,Wave & Elektro infuences by legendary bands as TNJ and Front 242 are part of the game” – radicalg.com

For more info: radicalg.com

Ninstrument Speak & Read

ninstrument-Speak-N-Read

I’ve had my eye on the Flame Talking Synth Eurorack module for a very long time. I just love speech synthesizers and the idea of having one in Eurorack is just well fun. When I saw the Ninstrument Speak & Read I looked for a buy now button. Luckily for my bank account Ninstrument is quite selling these yet. Watch the video above for joy.

“I have had so many of these as bent toys that I thought it was time to make a eurorack module of one. Lots of time spent trying to nail down the right registers for the best phonemes and words. Very fast response means you can use quick triggers and for longer glitches you can use longer gates. The response has been a little over whelming to this as I knew there were a few out there who loved these, but had no idea that it was this many!!” – ninstrument.com

For more info: ninstrument.com/?p=1695