If you follow me on social media you know by now I have been doing an online radio show called Kunst Krach. The show which airs on Digitally Imported runs an hour and consists of an interview and DJ set or I play song and talk about them. If you don’t know Digitally Imported is a great website and app which has a ton of electronic music streams. It is quite popular in the USA and I highly recommend it. It’s far better then Spotify or Pandora if you are looking to hear new electronic music. There are now 10 episodes and I have had some amazing guests such Daniel Myer of Haujobb and Radical G. The show airs live once a month then goes into rotation on the EBM channel. If you are a premium subscriber you can listen to the shows on demand. I am now also pleased to tell you all the shows are archived and available on Mixcloud and I have created a new website for the show kunstkrach.com. On the new official website you can also download the mixes!
“Kunst Krach: The Electronic Body Music show hosted by Oliver Chesler, aka The Horrorist. Tune in every second Wednesday of the month for new DJ mixes and special guests from the industrial / EBM scene.” – Digitally Imported
I am happy to announce a remix I did for the German EBM band Haujobb has been released. The song is called Input Error. It is on the first single from their next album called Blendwerk. The wonderful Sid Lamar (Schwefelgelb) also did a remix.
As with many of my remixes I almost like to redo the track. For Input Error I used the underrated Kawai R100 drum machine. The bassline is an Alesis Microbrute. I re-arranged the vocals to be a “more standard” arrangement. I really wanted something that could be played regularly out at a club and also have an 80s Wax Trax atheistic. I hope you enjoy it!
On Saturday night I DJed and performed a live show in Bushwick, Brooklyn at The Bossa Nova Civic Club. I’ve mentioned “Bossa” a few times. It’s a small place in the middle of what was once nowhere. The nowhere part is changing quickly as Bushwick has become the place to be. I would argue Bossa had a big role in making the area cool. The event was Synthicide which is run by DJ Andi. Synthicide is one of the best events in the NYC area. It’s a mix of EBM, Industrial and straight up techno. Each event features 3 different DJs or live acts. Saturday night Andi herself played, the absolutely legendary Frankie Bones and myself. Luckily Bossa recorded the set so you can hear for yourself what a great music night it was. As most DJs or performers know it’s very different playing in your hometown than abroad. You know a lot of people in the crowd in front of you. This was the first time I ever did a DJ set and then went right into a live show. I had a absolute blast! Thanks to everyone who came and everyone who waited on line to get in! I am working on my next album. I have about 5 songs finished and the plan it to start releasing singles in the fall with remixes and the album before the year is over. I also have a big European tour set for October and then some US dates following that. See you there!
“Celebrate America with NYC legends. Fog machines and laser rays.” – Synthicide
When I was a child I had a TRS-80 Color Computer. I remember pretending the real world around me was made of pixels. I believe humans are ramping up self awareness in a dramatic way in the 21st Century. I love this Ted talk. I believe Dr. Hoffman is on the right path.
“Cognitive scientist Donald Hoffman is trying to answer a big question: Do we experience the world as it really is … or as we need it to be? In this ever so slightly mind-blowing talk, he ponders how our minds construct reality for us.” – Ted
There is a new book by Michaelangelo Matos called The Underground is Massive which goes into great detail on the emergence of the techno scene solely in the United States. I am quoted and mentioned a few times and so far (I just read a few chapters) I think he’s got it right.
“Joining the ranks of Please Kill Me and Can’t Stop Won’t Stop comes this definitive chronicle of one of the hottest trends in popular culture—electronic dance music—from the noted authority covering the scene. It is the sound of the millennial generation, the music “defining youth culture of the 2010s” (Rolling Stone). Rooted in American techno/house and ’90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture.”
Laibach the infamous Slovenian band on Mute records will perform in New York City at the The Gramercy Theatre (127 E 23rd St) on Tuesday, May 12, 2015. You better believe I will be there. Artists should be free to create and tell any story however dark or wrong the public may perceive it to be. In today’s era of political correctness we need Laibach more than ever!
“We are children of the spirit and brother of might. We are the black sprits of the world. We sing the insane image of horror. Art is a high mission and demands fanaticism.” – Laibach
Yesterday I did a DJ Set for RIOT Radio from Edinburgh, Scotland. I really enjoy doing set that don’t have to be totally dancefloor friendly. Enjoy the mix!
1. Violences Conjugales – Violence Conjugale
2. Tragisch – Petra Flurr + Modernista
3. Deadlines – Skinny Puppy
4. Venereal Desires – The Slop
5. B.I.O.N.I.C. – The Force Dimension
6. Motordead – Cat Rapes Dog
7. Molecule Man – SuperPower
8. Who Raised These People? – Charles Manier
9. Germaniac – Die Krupps
10. Helpless (Final D.) – X Marks The Pedwalk
11. Untitled – Absolute Body Control
12. This Hour of The Night – SuperPower
13. Clear – Cybotron
14. Te Quiero Mi Amor (The Hacker Remix) – David Carretta
15. Kervorkian – Staccato Du Mal
16. The Future – Vomito Negro
17. Carried Mask – Youth Code
18. Will Ever Fall Here Again – Millimetric
“An absolute star that shines so very, very brightly. A true inspiration for me over the years like you would not believe. The Horrorist aka Oliver Chesler has released so many of techno’s best ever & most well recognized releases. If I started naming them all I’d be typing here for an eon. So many releases on not only his own label The Things To Come but countless others too and his remixes for other people go on and on and on he’s that much in demand. His live show, which has to be seen to be believed, has been played across the globe & is being constantly booked to perform to sell out crowds. A true pioneer from the birth of techno, to now & into the future. This DJ set he has done exclusively for the show is quite simply stunning. So strap yourself in, let your blood wings soar and prepare your ears for a flight into vicious sonic beauty. Enjoy LOUD!” – RIOT Radio
Johnny Love from Chicago contacted me a few weeks ago to do a DJ Set for Healthgoth and VICE. Healthgoth is an amazing trend of… well goths in the gym. Let’s face it… nothing tastes better than being skinny and there are plenty of goths that need a good workout. I hope you enjoy the set!
Der Plan – “Lebdoch”
Hymn – “I Am the Absolute”
Absolute Body ContRol – “Melting Away”
Front Line Assembly – “Die-sect”
The Force Dimension – “Aqua 2000”
Cosmetics – “The Cries”
Die Krupps – “2 Herzen 1 Rhythmus”
Frontal – “Winterzeit”
Manufacture – “Armed Forces”
Severed Heads – “Hot With Fleas”
Deutsch Amerikanische Freundschaft – “Co Co Pino”
James T. Cotton – “Press Your Body”
Cyberaktif – “Meltdown”
Gorilla Aktiv – “Die Maske”
Cybotron – “R-9”
Nitzer Ebb (The Horrorist remix) – “Murderous”
Acrosome – “Running on the Wheel” (Remix)
Dive – “Bloodshot Eyes”
Millimetric – “No Feedback”
Hymn – “Danger””
“The first two editions of THUMP’s Healthgoth mix series have been classy affairs as both DMC champ DJ Shiftee and Washington, DC scene leader Tittsworth championed the underground from across the spectrum in their selections.
For our third edition, New York dance-punk stalwart The Horrorist delves deep into new wave music and EBM, with a focus on punk-edged, early-tech dance music from Germany in particular.
The Things to Come Records boss opens up with “new German wave” progenitors Der Plan, makes stops everywhere from pop to industrial to techno, before crescendoing with influential UK act Nitzer Ebb’s “Murderous” (special Horrorist cover version) and closing with the swirled-out synth-pop of Hymn’s “Danger.”
This mix could be considered an education in EBM, one of the most influential and organic scenes and eras in dance.”
I never thought I would perform in China but this past Saturday night, March 28, 2015 I (The Horrorist) did exactly that. Shanghai holds the record for the most populated city with over 20 million people living there. As the taxi took me from Pudong Airport to Hilton in the city center I got to see how big the city really is. Imagine a city like Newark or Charlotte, North Carolina. Imagine the cluster of tall buildings in each center of those cities. Now imagine about 20 cities that large all clustered together. Put a river in the middle and across the river put some amazing skyscrapers that tower over the cluster of other cities and your getting a close idea of how big Shanghai is.
Americans have a pre-conception (brainwashing?) that all of China is poor, full of military, the food is tainted with chemicals and the cars are made of cardboard. None of that is really true. I saw my share of Ferraris, Bentleys, most cabs were VWs and in a way that the world should follow most people got around by a brand new subway system or fully electric scooters. I had several great meals of organic vegetarian dishes. I was able to use Facebook and Twitter and had no issues going in and out of the country. I’m not saying there may not be oppression or problems but in Shanghai I didn’t see any of it. I went to the Bund area where you walk along the water front at look at the Pearl Tower, World Financial Center and the amazingly tall Shanghai Tower. One thing I found interesting was most of the Chinese tourists were totally focused on those tall modern towers while the classic beautiful old Chinese waterfront buildings and the poor statue of Mao was left quiet. The only complaint about the city itself is the pollution is very noticeable. Some people wear masks as they walk the streets. I noticed a change in my breathing. That’s saying something considering I live in NYC. I read that living in Shanghai is the equivalent to smoking a half a cigarette a day.
Enter the void. I performed in a WWII shelter (the Japanese were doing the bombing). The club is of course called The Shelter and it’s known as THE place to perform in Shanghai. The night was run by 3 expats. Vincent from Paris, Camy from Edinburgh and Ilsa from Moscow. You walk down into the club through a stone tunnel into a stone and steel room (don’t fall and hit your head!). The owner doesn’t allow any lighting during the night. Since I bring my own strobes and 500W lamps I knew I had a nice surprise in store for the regulars of the Void. The club filled up with a mix of Shanghai natives and more ex-pats. I particularly enjoyed playing my more political songs. I didn’t get past me for a minute where I was. Playing “The World will Know Us” in China was a thrill I won’t forget. The reaction on some of the faces was great. It was a mix of surprise, smiles and hell yeah lets dance! The same night in Shangai I heard A Guy Called Gerald and Nigel Richards were also performing. After my set I met a promoter from Beijing. If you’re a DJ or electronic musician don’t be surprised when China calls you too. I know I will be going back. Thanks to everyone who came out and the new friends I made there. Wings over the world! To see the full set of photos: click here
“NYC-based experimental EBM musician The Horrorist comes to Shelter. His brand of pitch black industrial techno, most famously the track “One Night in NYC,” weaves together a playful, creepy overlay of lyrics about the evils of city living with abrasive, danceable beats. For this live set, expect an array of costume changes, crowd interaction and manic energy.” – cityweekend.com.cn/shanghai